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                <text>179 Coming 1938 Gas Station</text>
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                <text>Morris Street Business District</text>
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                <text>The Esso Gas station at 179 Coming Street in 1938.  </text>
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                <text>&lt;em&gt;Antorcha Guadalupana&lt;/em&gt;&lt;span&gt;, pintura de&amp;nbsp;&lt;/span&gt;Cornelio Campos&lt;span&gt;, Durham, Carolina del Norte. Campos es un artista y defensor de la comunidad cuyo arte encapsula los vibrantes colores y temas del folclore mexicano y las experiencias de los migrantes.&lt;/span&gt;</text>
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                <text>&lt;em&gt;Siete vidas, sueños e ilusiones&lt;/em&gt;&lt;span&gt;, pintura de Félix Baizabal, Pawley Island, Carolina del Sur. A pesar de que Baizabal es daltónico, su arte captura ricos colores y tonos. En este trabajo, están representados los siete miembros de su familia. Sus catorce manos componen una cara que simboliza que todos están unidos a pesar de la separación impuesta por la distancia y el borde fronterizo.&lt;/span&gt;</text>
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                <text>&lt;em&gt;Frontera&lt;/em&gt;&lt;em&gt;,&lt;/em&gt;&lt;span&gt;&amp;nbsp;pintura de&amp;nbsp;&lt;/span&gt;Cornelio Campos&lt;span&gt;, Durham, Carolina del Norte. Esta pintura, simboliza la frontera entre Estados Unidos y México, y las oportunidades y el peligro que se presentan al que cruza.&lt;/span&gt;</text>
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                <text>Muro fronterizo entre México y Estados Unidos, fotografía de Susan Harbage Page, cerca de Brownsville, Texas, 2010.</text>
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                <text>&lt;em&gt;Un presente que evoca un pasado en otra latitud&lt;/em&gt;&lt;span&gt;, pintura de Maribel Acosta, Charleston, Carolina del Sur, 2013.&amp;nbsp;Acosta es una artista, educadora, directora teatral y miembro activo de la comunidad. Su arte encapsula temas relacionados con la comunidad, la migración y el Lowcountry.&lt;/span&gt;</text>
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                <text>&lt;em&gt;Jessica&lt;/em&gt;&lt;span&gt;&lt;em&gt;,&lt;/em&gt;&amp;nbsp;painting by Rosalía Torres-Weiner, Charlotte, North Carolina. Torres-Weiner is an artist, activist, and community leader whose art celebrates her Mexican heritage and reflects the changing demographics o the American South. This painting depicts Jessica Contreras,&lt;/span&gt;&lt;span&gt;a young undocumented activist who is fighting for her right to study. She encourages people who can vote to serve as a voice of those that cannot. Jessica sold tamales to save money for college tuition.&lt;/span&gt;</text>
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                <text>&lt;em&gt;Jessica&lt;/em&gt;&lt;span&gt;, pintura de Rosalía Torres-Weiner, Charlotte, Carolina del Norte. Torres-Weiner es una artista, activista y líder comunitaria cuyo arte capta los temas, los colores y el rico simbolismo de su hogar natal de México, al tiempo que celebra la rica historia y el cambio demográfico del sur de Estados Unidos. Esta pintura muestra a Jessica Contreras, una joven activista indocumentada que lucha por su derecho a estudiar y alienta a las personas que pueden votar a ser la voz de quienes no pueden. Jessica vendía tamales para ahorrar dinero para la matrícula universitaria.&lt;/span&gt;</text>
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                <text>&lt;em&gt;Sin título&lt;/em&gt;&lt;span&gt;, pintura de Pedro Rodríguez, Charleston, Carolina del Sur. Rodríguez es un artista, terapeuta a través del arte, maestro y activista comunitario. Sus obras vívidas incorporan elementos multidimensionales, emoción y herencia latinoamericana.&lt;/span&gt;</text>
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                <text>Folleto del Festival Hispano, North Charleston, 12 de septiembre de 1998, por cortesía de Lucy Cordero.</text>
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