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                <text>Mario Puga y Alma López frente a la Casa Blanca, Washington DC, 1997, por cortesía de Alma López.</text>
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                <text>&lt;em&gt;El sueño americano de García&lt;/em&gt;&lt;span&gt;, pintado por Art Gomez, Charleston, Carolina del Sur, 2015.&amp;nbsp;Nacido en California, Gómez usa elementos de su herencia latina y apache en muchas de sus obras. Esta pintura está inspirado en la historia de Santos García, un vecino de Charleston, Carolina del Sur, quien fue deportado después de un accidente de autos sin consecuencias graves a principios de 2016. La deportación lo separó de su esposa y tres niños pequeños.&lt;/span&gt;</text>
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                <text>Folleto del Festival Hispano, North Charleston, 12 de septiembre de 1998, por cortesía de Lucy Cordero.</text>
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                <text>&lt;em&gt;Sin título&lt;/em&gt;&lt;span&gt;, pintura de Pedro Rodríguez, Charleston, Carolina del Sur. Rodríguez es un artista, terapeuta a través del arte, maestro y activista comunitario. Sus obras vívidas incorporan elementos multidimensionales, emoción y herencia latinoamericana.&lt;/span&gt;</text>
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                <text>&lt;em&gt;Jessica&lt;/em&gt;&lt;span&gt;, pintura de Rosalía Torres-Weiner, Charlotte, Carolina del Norte. Torres-Weiner es una artista, activista y líder comunitaria cuyo arte capta los temas, los colores y el rico simbolismo de su hogar natal de México, al tiempo que celebra la rica historia y el cambio demográfico del sur de Estados Unidos. Esta pintura muestra a Jessica Contreras, una joven activista indocumentada que lucha por su derecho a estudiar y alienta a las personas que pueden votar a ser la voz de quienes no pueden. Jessica vendía tamales para ahorrar dinero para la matrícula universitaria.&lt;/span&gt;</text>
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                <text>&lt;em&gt;Jessica&lt;/em&gt;&lt;span&gt;&lt;em&gt;,&lt;/em&gt;&amp;nbsp;painting by Rosalía Torres-Weiner, Charlotte, North Carolina. Torres-Weiner is an artist, activist, and community leader whose art celebrates her Mexican heritage and reflects the changing demographics o the American South. This painting depicts Jessica Contreras,&lt;/span&gt;&lt;span&gt;a young undocumented activist who is fighting for her right to study. She encourages people who can vote to serve as a voice of those that cannot. Jessica sold tamales to save money for college tuition.&lt;/span&gt;</text>
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                <text>&lt;em&gt;Un presente que evoca un pasado en otra latitud&lt;/em&gt;&lt;span&gt;, pintura de Maribel Acosta, Charleston, Carolina del Sur, 2013.&amp;nbsp;Acosta es una artista, educadora, directora teatral y miembro activo de la comunidad. Su arte encapsula temas relacionados con la comunidad, la migración y el Lowcountry.&lt;/span&gt;</text>
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                <text>Muro fronterizo entre México y Estados Unidos, fotografía de Susan Harbage Page, cerca de Brownsville, Texas, 2010.</text>
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                <text>&lt;em&gt;Frontera&lt;/em&gt;&lt;em&gt;,&lt;/em&gt;&lt;span&gt;&amp;nbsp;pintura de&amp;nbsp;&lt;/span&gt;Cornelio Campos&lt;span&gt;, Durham, Carolina del Norte. Esta pintura, simboliza la frontera entre Estados Unidos y México, y las oportunidades y el peligro que se presentan al que cruza.&lt;/span&gt;</text>
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                <text>&lt;em&gt;Siete vidas, sueños e ilusiones&lt;/em&gt;&lt;span&gt;, pintura de Félix Baizabal, Pawley Island, Carolina del Sur. A pesar de que Baizabal es daltónico, su arte captura ricos colores y tonos. En este trabajo, están representados los siete miembros de su familia. Sus catorce manos componen una cara que simboliza que todos están unidos a pesar de la separación impuesta por la distancia y el borde fronterizo.&lt;/span&gt;</text>
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