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                <text>&lt;em&gt;Sexually Ambiguous&lt;/em&gt;, photograph by Susan Harbage Page, Charleston, South Carolina, 2009, courtesy of Gibbes Museum of Art.</text>
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                <text>&lt;em&gt;Sexually Ambiguous&lt;/em&gt;,&amp;nbsp;photograph by Susan Harbage Page, Charleston, South Carolina, 2009, courtesy of Gibbes Museum of Art.</text>
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                <text>&lt;em&gt;Siete vidas, sueños e ilusiones&lt;/em&gt;&lt;span&gt;, pintura de Félix Baizabal, Pawley Island, Carolina del Sur. A pesar de que Baizabal es daltónico, su arte captura ricos colores y tonos. En este trabajo, están representados los siete miembros de su familia. Sus catorce manos componen una cara que simboliza que todos están unidos a pesar de la separación impuesta por la distancia y el borde fronterizo.&lt;/span&gt;</text>
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                <text>&lt;em&gt;Sin título&lt;/em&gt;&lt;span&gt;, pintura de Pedro Rodríguez, Charleston, Carolina del Sur. Rodríguez es un artista, terapeuta a través del arte, maestro y activista comunitario. Sus obras vívidas incorporan elementos multidimensionales, emoción y herencia latinoamericana.&lt;/span&gt;</text>
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                <text>&lt;em&gt;South Lowell 22&lt;/em&gt; from "The Things We Carry," Damian Stamer, Charleston, South Carolina, 2014, courtesy of the Gibbes Museum of Art.</text>
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                <text>&lt;em&gt;The Cotton Mills of South Carolina: Their names, location, capacity and history&lt;/em&gt;, &lt;em&gt;News and Courier&lt;/em&gt;, 1880, courtesy of the South Carolina Historical Society.</text>
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