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                <text>&lt;p&gt;Page from&lt;em&gt; Union News&lt;/em&gt;, Local 15 union newspaper, featuring a photograph of Isaiah Bennett, July 1952, courtesy of Avery Research Center.&lt;/p&gt;</text>
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                <text>"Resonance," detail of 55-A King Street, Charleston, South Carolina, 1993, photograph by Claire Y. Greene,&amp;nbsp;&lt;em&gt;Keeper of the Gate&lt;/em&gt;&lt;em&gt;: Designs in Wrought Iron by Philip Simmons, Master Blacksmith&lt;/em&gt;, courtesy of the Philip Simmons Foundation.</text>
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                <text>"Doxology," 55 South Street, Charleston, South Carolina, 1993, photograph by Claire Y. Greene,&amp;nbsp;&lt;em&gt;Keeper of the Gate&lt;/em&gt;&lt;em&gt;: Designs in Wrought Iron by Philip Simmons, Master Blacksmith&lt;/em&gt;, courtesy of the Philip Simmons Foundation.</text>
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                <text>Slave badge, stamped "Charleston No. 136 Mechanic 1833," Charleston, South Carolina, Walter Pantovic Artifact Collection, courtesy of the Avery Research Center.</text>
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                <text>Digital image copyright 2010, The College of Charleston Libraries. All rights reserved. For more information contact The College of Charleston Library, Charleston, SC 29424.</text>
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                <text>"Am I Not A Man And A Brother?," 1787, courtesy of the Library of Congress.</text>
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                <text>“A bill for abolishing the trade carried on for supplying foreign territories with slaves,” 1793, London, England, courtesy of Northwestern University, Melville J. Herskovits Library of African Studies.</text>
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                <text>Peter Simmons, Charleston, South Carolina, ca. 1920, printed in John Michael Vlach,&amp;nbsp;&lt;em&gt;Charleston Blacksmith: The Work of Philip Simmons&lt;/em&gt;, revised edition (1992), courtesy of Philip Simmons Foundation.</text>
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                <text>Detail of gate at the Christopher Gadsden house, 329 East Bay Street, Charleston, South Carolina, 1993, photograph by Claire Y. Greene, Philip Simmons Collection, courtesy of the Avery Research Center.</text>
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