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Enslaved woman conducting domestic labor, illustrated by E. W. Kemble, from Uncle Tom's Cabin, Harriet Beecher Stowe, 1891, courtesy of the University of Virginia.
Enslaved women and children at auction, from Cassell's History of the United States, Edmund Ollier, circa 1874, courtesy of Slavery Images.
Entrance to Dixie Plantation, photograph by Morton Brailsford Paine, Hollywood, South Carolina, 1919, courtesy of the Charleston Museum Archives.
Entrance to Drayton Hall Cemetery
Image courtesy of Jane Aldrich
Entrance to Stono Reserve, photograph by Cappy Yarbrough, 2019.
Entree Dish, created by Taylor and Lawrie (active 1837–62): ca. 1839, Philadelphia, Pennsylvania, courtesy of the Metropolitan Museum of Art.
Entryway to the exhibition, The Things We Carry: Contemporary Art in the South, 2016, courtesy of the Gibbes Museum of Art.
Esau Jenkins (center) in front of the Citizen’s Committee bus, accompanied by Reverend Willis Goodwin (right) and Alfred Fields (left), ca. 1950s and 60s, courtesy of the Avery Research Center.
Esau Jenkins and Myles Horton, Charleston, South Carolina, Esau Jenkins Papers, courtesy of the Avery Research Center.
Esso gas stationed owned by Robert F. Morrison at 179 Coming Street, Charleston, South Carolina, ca 1938, image from
Our Charleston, Vol. III
.
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