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Prop Master exhibition opening, Charleston, South Carolina April 3, 2009, courtesy of the Gibbes Museum of Art.

Exhibit opening 2.jpeg

Entryway to the exhibition, The Things We Carry: Contemporary Art in the South, 2016, courtesy of the Gibbes Museum of Art.

Gibbes05.23.16©MCG-Photography.jpg

Mending a Break in a Rice-Field Bank, from the series A Carolina Rice Plantation of the Fifties, Alice Ravenel Huger Smith. ca. 1935, courtesy of the Gibbes Museum of Art.

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Cover of Landscape of Slavery: The Plantation in American Art, by Angela D. Mack and Stephen G. Hoffius, 2008, photograph by Cappy Yarbrough.

Cover of Landscape.jpg

Prop Allocations or Accents for Gracious Living, photograph by Rick Rhodes, Charleston, South Carolina, 2009, courtesy of the Gibbes Museum of Art.

Prop Allocations or Accents for Gracious Living, photograph by Rick Rhodes, Charleston, South Carolina, 2009, courtesy of the Gibbes Museum of Art.

Prop Allocations or Accents for Gracious Living, photograph by Rick Rhodes, Charleston, South Carolina, 2009, courtesy of the Gibbes Museum of Art.

Self-Portrait, Alice Ravenel Huger Smith, 1908.

Alice Ravenel Huger Smith Self-Portrait.jpg

Alice Ravenel Huger Smith, photographer unknown, 1915, Courtesy of the Charleston Museum.

Alice Ravenel Huger Smith Portrait.jpg

"Sunday Morning at the Great House", Alice Ravenel Huger Smith, Charleston, South Carolina, 1935.

Sunday Morning at the Great House.jpg

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