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Entryway to the exhibition, The Things We Carry: Contemporary Art in the South, 2016, courtesy of the Gibbes Museum of Art.

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Mending a Break in a Rice-Field Bank, from the series A Carolina Rice Plantation of the Fifties, Alice Ravenel Huger Smith. ca. 1935, courtesy of the Gibbes Museum of Art.

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Cover of Landscape of Slavery: The Plantation in American Art, by Angela D. Mack and Stephen G. Hoffius, 2008, photograph by Cappy Yarbrough.

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Prop Allocations or Accents for Gracious Living, photograph by Rick Rhodes, Charleston, South Carolina, 2009, courtesy of the Gibbes Museum of Art.

Prop Allocations or Accents for Gracious Living, photograph by Rick Rhodes, Charleston, South Carolina, 2009, courtesy of the Gibbes Museum of Art.

Prop Allocations or Accents for Gracious Living, photograph by Rick Rhodes, Charleston, South Carolina, 2009, courtesy of the Gibbes Museum of Art.

Self-Portrait, Alice Ravenel Huger Smith, 1908.

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Alice Ravenel Huger Smith, photographer unknown, 1915, Courtesy of the Charleston Museum.

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"Sunday Morning at the Great House", Alice Ravenel Huger Smith, Charleston, South Carolina, 1935.

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"Boone Hall Plantation", painting by Edwin Harleston, Charleston, South Carolina, 1925.

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