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"South Battery, Charleston S.C.," 1904, Leah Greenberg Postcard Collection, courtesy of College of Charleston Libraries.
Septima Clark at a study of health programs and early childhood deaths, Johns Island, South Carolina,1965,Septima P. Clark papers, courtesy of the Avery Research Center.
Bernice Robinson teaching, Bernice Robinson Papers, courtesy of the Avery Research Center.
Citizens Committee bus, Esau Jenkins Papers, courtesy of the Avery Research Center. On the back of his Citizen Committee bus, activist Esau Jenkins painted one of his favorite mottos: “Love is progress. Hate is expensive.”
Neatline Map: Septima P. Clark and Public History in Charleston
A Present That Recalls a Past in Another Latitude
, painting by Maribel Acosta, Charleston, South Carolina, 2013.Acosta is an artist, arts educator, theatrical director, and community advocate. Her art encapsulates themes such as community, migration, and the Lowcountry.
One Part Emerges and One Part Submerges
, painting by Maribel Acosta, Charleston, South Carolina, 2013.Acosta is an artist, arts educator, theatrical director, and community advocate. Her art encapsulates themes such as community, migration, and the Lowcountry.
Border wall between Mexico and the United States, photograph by Susan Harbage Page, near Brownsville, Texas, 2010.
Deflated inner tube, photograph by Susan Harbage Page, near Brownsville, Texas, 2011.
Noah damning Ham, painting by Ivan Stepanovitch Ksenofontov, ca. 1817-1875, courtesy of the State Buryat Republic Art Museum, Ulan-Ude.
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