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"The Burning of Jamestown," painting by Howard Pyle, 1905, courtesy of Canadian Libraries.
Noah damning Ham, painting by Ivan Stepanovitch Ksenofontov, ca. 1817-1875, courtesy of the State Buryat Republic Art Museum, Ulan-Ude.
Deflated inner tube, photograph by Susan Harbage Page, near Brownsville, Texas, 2011.
Border wall between Mexico and the United States, photograph by Susan Harbage Page, near Brownsville, Texas, 2010.
One Part Emerges and One Part Submerges
, painting by Maribel Acosta, Charleston, South Carolina, 2013.Acosta is an artist, arts educator, theatrical director, and community advocate. Her art encapsulates themes such as community, migration, and the Lowcountry.
A Present That Recalls a Past in Another Latitude
, painting by Maribel Acosta, Charleston, South Carolina, 2013.Acosta is an artist, arts educator, theatrical director, and community advocate. Her art encapsulates themes such as community, migration, and the Lowcountry.
Neatline Map: Septima P. Clark and Public History in Charleston
Citizens Committee bus, Esau Jenkins Papers, courtesy of the Avery Research Center. On the back of his Citizen Committee bus, activist Esau Jenkins painted one of his favorite mottos: “Love is progress. Hate is expensive.”
Bernice Robinson teaching, Bernice Robinson Papers, courtesy of the Avery Research Center.
Septima Clark at a study of health programs and early childhood deaths, Johns Island, South Carolina,1965,Septima P. Clark papers, courtesy of the Avery Research Center.
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