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"Slave sale, Charleston, South Carolina," wood engraving, by an unknown engraver, Illustrated London News, 1856, courtesy of the British Museum, London.
"Slave Sale," Eyre Crowe, November 29, 1856, courtesy of New York Public Library.
"Slave Sale," image by Eyre Crowe, November 29, 1856, courtesy of the New York Public Library.
"Slave Traffic," painting by S. Hutchinson, 1793, courtesy of National Maritime Museum, Greenwich, London.
"Slaves on their way to the coast," from
Abbeokuta; or, Sunrise Within the Tropics: an Outline of the Origin and Progress of the Yoruba
M
ission
by Sarah Tucker,
London, 1853, courtesy of the Virginia Foundation for the Humanities and the University of Virginia Library.
"Slaves Waiting for Sale," Eyre Crowe, Richmond, Virginia, 1861, courtesy of the Heinz Family Collection.
"South Battery, Charleston S.C.," 1904, Leah Greenberg Postcard Collection, courtesy of College of Charleston Libraries.
"St. Andrew's Episcopal Church, State Route 61, Charleston, Charleston County, SC," HABS, Mt. Pleasant, South Carolina, 1940, courtesy of Library of Congress.
"Star and Fish Gate," National Museum of American History, Smithsonian Institution, Washington, D.C., image from Keeper of the Gate: Designs in Wrought Iron by Philip Simmons, Master Blacksmith, photograph courtesy of Division of Work and Industry, National Museum of American History, Smithsonian Institution.
"Still Life with a Bottle of Cognac, Crabs, and Prawns," painting by William Aiken Walker, 1860, courtesy of the Charleston Renaissance Gallery.
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