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Sexually Ambiguous miniature, photograph by Susan Harbage Page, Charleston, South Carolina, 2009, courtesy of Gibbes Museum of Art
(Left to right) Portrait of African American woman holding a white infant, Solomon Nunes Carvalho, New York City, circa 1870, courtesy of the Library of Congress; portrait of African American woman holding a white infant, circa 1855, courtesy of the Library of Congress; miniature portrait from Sexually Ambiguous, Susan Harbage Page, Charleston, South Carolina, 2009, courtesy of the Gibbes Museum of Art; portrait of an African American woman seated holding an African American infant, photograph by A. D. Jaynes, Corning, New York, circa 1860.
Juan Logan,
Prop Master
artist.
Susan Harbage Page,
Prop Master
artist.
[Untitled]
[Untitled]
[Untitled]
People gathered ahead of worship services at the Mother Emanuel AME Church, photograph by Jerome Socolovsky for Voices of America, Charleston, South Carolina, June 21, 2015.
Headline for article on the capture of the Echo, Yorkville Enquirer, Yorkville, S.C. October 07, 1858, courtesy of Chronicling America, Library of Congress.
"Magnolia on the Ashley, Steamer. E.H. Jackson leaving the landing", Charleston, South Carolina, circa. 1900, courtesy of the Library of Congress.
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