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"The Queen of Industry, or The New South," ca. 1882, courtesy of the Library of Congress, Prints and Photograph Division.
"The Radical Convention in Philadelphia," woodcut with letterpress, September 3, 1866,courtesy of Library of Congress Rare Book and Special Collections Division. Engraving illustrates degrading stereoptyes of interracial political alliances.
"The Runaway," illustration by Wilburn Henry Siebert, Macmilian, New York, 1899, courtesy of New York Public Library Digital Collections
"The South Carolina Institute, at Charleston, South Carolina, in which the Democratic Convention will meet," April 21, 1860. Harper's Weekly. Courtesy of Charleston Museum Illustrated Newspapers Collection, The Charleston Museum Archives. [NEED IMAGE]
http://lcdl.library.cofc.edu/lcdl/catalog/lcdl:233#!prettyPhoto
"The Three Pioneers" sculpture, honoring Ralph A. Long, Jr., Lawrence Williams, and Ford C. Greene, the first Black students to desegregate Georgia Institute of Technology, Martin Dawe, Atlanta, Georgia, 2019, courtesy of Wikimedia Commons.
"The Union as it was; The lost cause, worse than slavery," 1874, wood engraving by Thomas Nast,
Harper's Weekly
, courtesy of Library of Congress.
"The Vocation of Black Scholarship Identifying the Enemy," handwritten essay by Septima P. Clark, n.d., Septima P. Clark Papers, courtesy of the Avery Research Center.
"The Watermelon Market at Charleston, S. C.," sketch by James E. Taylor,
Frank Leslie's Illustrated Newspaper
, 1866, courtesy of Library of Congress Prints and Photographs Division.
"This is a white man's government," Democratic platform regarding the Reconstruction Acts, 1868, print by Thomas Nast,
Harper's Weekly
, courtesy of Library of Congress Prints and Photographs Division.
"This print of the U.S. Army 1867, respectfully dedicated to the officers of the old army," 1867.
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