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"Cross and Egret Gate," 2 St. Michael's Alley, Charleston, South Carolina,1993, photograph by Claire Y. Greene,Keeper of the Gate: Designs in Wrought Iron by Philip Simmons, Master Blacksmith, courtesy of the Philip Simmons Foundation.

Philip Simmons at his desk, 1993, photograph by Claire Y. Greene,Keeper of the Gate: Designs in Wrought Iron by Philip Simmons, Master Blacksmith, courtesy of the Philip Simmons Foundation.

Echo Africans, Echo Introduction Image cropped

Echo Intro Image.jpg

Top Deck of French Slave Ship, color lithograph by Pretexat Oursel, ca. nineteenth century, courtesy of the Virginia Foundation for the Humanities and the University of Virginia Library.

slave ship on deck.JPG

"Slaves on their way to the coast," from Abbeokuta; or, Sunrise Within the Tropics: an Outline of the Origin and Progress of the Yoruba Mission by Sarah Tucker,London, 1853, courtesy of the Virginia Foundation for the Humanities and the University of Virginia Library.

slaves on way to coast.JPG

The Philosophy of Secession, A Southern View, by Leonidas W. Spratt, Charleston, South Carolina, February 1861, courtesy of University of North Carolina at Chapel Hill.

philosophy of secession.jpg

Philip Simmons standing next to a gate, ca. 1995, Philip Simmons Collection, courtesy of the Avery Research Center.

Title page, Cannibals all! or, Slaves without Masters, written by George Fitzhugh, 1857, courtesy of the Library of Congress.

"Shackles, Manacles, and Padlocks Used in the Slave Trade, early 19th cent.," Faits relatifs a la traite des noirs, published by the Société de la morale Chrétienne, Comité pour l'abolition de la traite des noirs, Paris, 1826, courtesy of the Virginia Foundation for the Humanities and the University of Virginia Library.

slave trade implements.JPG

"Revolt Aboard Slave Ship," by Isabelle Aguet, A Pictorial History of the Slave Trade, ca. nineteenth century, courtesy of the Virginia Foundation for the Humanities and the University of Virginia Library.

slave rebellion.JPG

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