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"Garden Gate," 313 King Street,Charleston, South Carolina, 1993, photograph by Claire Y. Greene,Keeper of the Gate: Designs in Wrought Iron by Philip Simmons, Master Blacksmith, courtesy of the Philip Simmons Foundation.

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"Romanza," 125 Tradd Street, Charleston, South Carolina, 1993, photograph by Claire Y. Greene, Keeper of the Gate: Designs in Wrought Iron by Philip Simmons, Master Blacksmith, courtesy of the Philip Simmons Foundation.

"Cross and Egret Gate," 2 St. Michael's Alley, Charleston, South Carolina,1993, photograph by Claire Y. Greene,Keeper of the Gate: Designs in Wrought Iron by Philip Simmons, Master Blacksmith, courtesy of the Philip Simmons Foundation.

Philip Simmons at his desk, 1993, photograph by Claire Y. Greene,Keeper of the Gate: Designs in Wrought Iron by Philip Simmons, Master Blacksmith, courtesy of the Philip Simmons Foundation.

Echo Africans, Echo Introduction Image cropped

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Top Deck of French Slave Ship, color lithograph by Pretexat Oursel, ca. nineteenth century, courtesy of the Virginia Foundation for the Humanities and the University of Virginia Library.

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"Slaves on their way to the coast," from Abbeokuta; or, Sunrise Within the Tropics: an Outline of the Origin and Progress of the Yoruba Mission by Sarah Tucker,London, 1853, courtesy of the Virginia Foundation for the Humanities and the University of Virginia Library.

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The Philosophy of Secession, A Southern View, by Leonidas W. Spratt, Charleston, South Carolina, February 1861, courtesy of University of North Carolina at Chapel Hill.

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Philip Simmons standing next to a gate, ca. 1995, Philip Simmons Collection, courtesy of the Avery Research Center.

Title page, Cannibals all! or, Slaves without Masters, written by George Fitzhugh, 1857, courtesy of the Library of Congress.

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