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Cooper-Ashley-Wando River Basin, USGS satellite image, 2008, image courtesy of the United States Geological Survey.

“A Plan of Airyhall, A rice and cotton plantation situated on the south side of the Ashepoo River, St. Bartholomew’s Parish, Colleton County,” South Carolina, May 1849, courtesy of the John McCrady Plat Collection, Charleston County Register of Mesne Conveyance.

"John Ball, Plan of a Tract of Land Containing 4,408 acres," plat of Jericho Plantation, Bethera, South Carolina, January 2, 1808, courtesy of the John McCrady Plat Collection, Charleston County Register of Mesne Conveyance.

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"Gang of 25 Sea Island Cotton and Rice Negroes," slave sale advertisement, Charleston, South Carolina, 1852, courtesy of Duke University Libraries Digital Collections.

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"The first colored senator and representatives- in the 41st and 42nd Congress of the United States,"Currier & Ives, 1872, courtesy of the Library of Congress Prints & Photographs Division.

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Local 15 union meeting with Marie Hodges and Nan Carter, Charleston, South Carolina, ca. 1950s, courtesy ofGeorgia State University, Southern Labor Archives.

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USS Niagara, artwork by Clary Ray, courtesy of the U.S. Navy.

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Untitled, painting by Pedro Rodriguez.Pedro Rodriguezis an artist, art therapist,teacher,and community activist in Charleston,South Carolina. Hisvivid paintings incorporate multidimensional elements and emotion, and explore Latin American heritage.

Unraveled from "The Things We Carry," Sonya Clark, photograph by Taylor Dabney,Charleston, South Carolina, 2015, courtesy of the Gibbes Museum of Art.

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Una parte emerge y una parte se sumerge, pintura de Maribel Acosta, Charleston, Carolina del Sur, 2013.Acosta es una artista, educadora, directora teatral y miembro activo de la comunidad. Su arte encapsula temas relacionados con la comunidad, la migración y el Lowcountry.

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