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Chair Rail Frieze, photograph by Rick Rhodes, Charleston, South Carolina, 2009, courtesy of Gibbes Museum of Art.

Background Materials: Columns, photograph by Rick Rhodes, Charleston, South Carolina, 2009, courtesy of Gibbes Museum of Art.

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Background Material: Wallpaper, photograph by Rick Rhodes, Charleston, South Carolina, 2009, courtesy of Gibbes Museum of Art.

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Antorcha Guadalupana, pintura deCornelio Campos, Durham, Carolina del Norte. Campos es un artista y defensor de la comunidad cuyo arte encapsula los vibrantes colores y temas del folclore mexicano y las experiencias de los migrantes.

An American Slave Market, Taylor, United States, 1852, courtesy of Chicago History Museum.

Abduhl Rahhahman, Henry Inman, 1828, courtesy of the Library of Congress.

Abduhl Rahhahman, engraved by Thomas Illman, 1833-1834, courtesy of the Library of Congress.

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A Slave Sale in Charleston, South Carolina, Eyre, 1854.

A Present That Recalls a Past in Another Latitude, painting by Maribel Acosta, Charleston, South Carolina, 2013.Acosta is an artist, arts educator, theatrical director, and community advocate. Her art encapsulates themes such as community, migration, and the Lowcountry.

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Photograph of Septima Clark, Septima P. Clark Papers, courtesy of the Avery Research Center.

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