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"STOP! READ! OBEY!," flyer calling for support during the Charleston Movement, circa 1960s, courtesy of the Avery Research Center for African American History and Culture.
"Still Life with a Bottle of Cognac, Crabs, and Prawns," painting by William Aiken Walker, 1860, courtesy of the Charleston Renaissance Gallery.
"Star and Fish Gate," National Museum of American History, Smithsonian Institution, Washington, D.C., image from Keeper of the Gate: Designs in Wrought Iron by Philip Simmons, Master Blacksmith, photograph courtesy of Division of Work and Industry, National Museum of American History, Smithsonian Institution.
"St. Andrew's Episcopal Church, State Route 61, Charleston, Charleston County, SC," HABS, Mt. Pleasant, South Carolina, 1940, courtesy of Library of Congress.
"South Battery, Charleston S.C.," 1904, Leah Greenberg Postcard Collection, courtesy of College of Charleston Libraries.
"Slaves Waiting for Sale," Eyre Crowe, Richmond, Virginia, 1861, courtesy of the Heinz Family Collection.
"Slaves on their way to the coast," from
Abbeokuta; or, Sunrise Within the Tropics: an Outline of the Origin and Progress of the Yoruba
M
ission
by Sarah Tucker,
London, 1853, courtesy of the Virginia Foundation for the Humanities and the University of Virginia Library.
"Slave Traffic," painting by S. Hutchinson, 1793, courtesy of National Maritime Museum, Greenwich, London.
"Slave Sale," image by Eyre Crowe, November 29, 1856, courtesy of the New York Public Library.
"Slave Sale," Eyre Crowe, November 29, 1856, courtesy of New York Public Library.
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