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Slaves liberated from the slaver Zeldina, The Illustrated London News, June 20, 1857, courtesy of the Virginia Foundation for the Humanities and the University of Virginia Library.

Photograph of Septima Clark, Septima P. Clark Papers, courtesy of the Avery Research Center.

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A Present That Recalls a Past in Another Latitude, painting by Maribel Acosta, Charleston, South Carolina, 2013.Acosta is an artist, arts educator, theatrical director, and community advocate. Her art encapsulates themes such as community, migration, and the Lowcountry.

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A Slave Sale in Charleston, South Carolina, Eyre, 1854.

Abduhl Rahhahman, engraved by Thomas Illman, 1833-1834, courtesy of the Library of Congress.

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Abduhl Rahhahman, Henry Inman, 1828, courtesy of the Library of Congress.

An American Slave Market, Taylor, United States, 1852, courtesy of Chicago History Museum.

Antorcha Guadalupana, pintura deCornelio Campos, Durham, Carolina del Norte. Campos es un artista y defensor de la comunidad cuyo arte encapsula los vibrantes colores y temas del folclore mexicano y las experiencias de los migrantes.

Background Material: Wallpaper, photograph by Rick Rhodes, Charleston, South Carolina, 2009, courtesy of Gibbes Museum of Art.

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Background Materials: Columns, photograph by Rick Rhodes, Charleston, South Carolina, 2009, courtesy of Gibbes Museum of Art.

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