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Sexually Ambiguous, photograph by Susan Harbage Page, Charleston, South Carolina, 2009, courtesy of Gibbes Museum of Art.

Prop Master Woman Whip.jpg

Sexually Ambiguous, photograph by Susan Harbage Page, Charleston, South Carolina, 2009, courtesy of Gibbes Museum of Art.

Prop Master Topsy.jpg

Sexually Ambiguous,photograph by Susan Harbage Page, Charleston, South Carolina, 2009, courtesy of Gibbes Museum of Art.

Prop Master Land and Slave.jpg

Siete vidas, sueños e ilusiones, pintura de Félix Baizabal, Pawley Island, Carolina del Sur. A pesar de que Baizabal es daltónico, su arte captura ricos colores y tonos. En este trabajo, están representados los siete miembros de su familia. Sus catorce manos componen una cara que simboliza que todos están unidos a pesar de la separación impuesta por la distancia y el borde fronterizo.

Sin título, pintura de Pedro Rodríguez, Charleston, Carolina del Sur. Rodríguez es un artista, terapeuta a través del arte, maestro y activista comunitario. Sus obras vívidas incorporan elementos multidimensionales, emoción y herencia latinoamericana.

South Lowell 22 from "The Things We Carry," Damian Stamer, Charleston, South Carolina, 2014, courtesy of the Gibbes Museum of Art.

South Lowell22, Damian Stamer.jpeg

The Cotton Mills of South Carolina: Their names, location, capacity and history, News and Courier, 1880, courtesy of the South Carolina Historical Society.

The Cotton Mills of South Carolina: Their names, location, capacity and history, News and Courier, 1880, courtesy of the South Carolina Historical Society. The pamphlet was published for the Department of Agriculture of the state of South Carolina, by order of the Board of Commissioners.

The Parvenue, May 1945, courtesy of Parvenue Collection,Avery Research Center.

The Philosophy of Secession, A Southern View, by Leonidas W. Spratt, Charleston, South Carolina, February 1861, courtesy of University of North Carolina at Chapel Hill.

philosophy of secession.jpg

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