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Sketch of enslaved African Americans outside of their cabins, from Sketches from the North American War, 1861-65, Adolf Carlsson Warberg, circa 1861, courtesy of University of Virginia Library.
Sketch of enslaved African Americans outside of their cabins, from Sketches from the North American War, 1861-65, Adolf Carlsson Warberg, circa 1861, courtesy of University of Virginia Library.
Sketch of egret by Philip Simmons, Philip Simmons Collection, courtesy of the Avery Research Center.
Sketch (9" x 12") of egret, similar to that used in Philip Simmons Gate at the South Carolina State Museum
Sketch of distressed Sea Island survivor, "The Sea Island Hurricane: The Devastation, 1894," from Scribner Magazine, sketch by Daniel Smith, Sea Islands, South Carolina, 1894, courtesy of the Avery Research Center.
Sketch of Brith Sholom Beth Israel, Laura S. Peck, Charleston, courtesy of Special Collections at College of Charleston Libraries.
Sketch of Billy Simmons from a News and Courier article, 1903. Illustration taken from This Happy Land: The Jews of Colonial and Antebellum Charleston.
Sketch of an enslaved woman carrying a bundle, from The Great South, Edward King, 1875, courtesy of University of Virginia Library Special Collections.
Sketch of a slave patrol stopping enslaved men in search of slave passes, Frederic B. Schell, New Orleans, Louisiana, 1863, courtesy of the Library of Congress.
Sketch of a Sea Island woman holding an infant, "The Sea Island Hurricane: The Devastation, 1893," from
Scribner's Magazine
, drawing by Daniel Smith, Sea Islands, South Carolina, 1893, courtesy of the Avery Research Center.
Sketch of 91 Anson Street gate and fence, Charleston, South Carolina, ca. 1997, created by Philip Simmons, Philip Simmons Collection, courtesy of the Avery Research Center.
Drawing of gate adorned with heart and crosses and a segement of surrounding fence. Gate is located at 91 Anson St.
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