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A man grinding corn, from "The Sea Island Hurricane: The Devastation, 1894" article in Scribner Magazine, sketch by Daniel Smith, Sea Islands, South Carolina, 1894, courtesy of the Avery Research Center.
A man making repairs to a woman's cabin, St. Helena, South Carolina, 1905, courtesy of the Southern Historical Collection, Wilson Library, University of North Carolina at Chapel Hill.
A map depicting European occupation of North America in 1702, made in 2010. Areas that are a solid color represent approximate areas of occupation, rather than officially claimed lands, which were generally much larger. Areas with conflicting claims are depicted with color gradation, and may or may not be occupied by either side. Many of these land claims also intersect lands claimed by American Indians, which are not shown.
A marabout, or Muslim religious leader, writing an amulet for a Tukalor widow, P.D. Boilat, 1853, courtesy of the British Library.
A market scene in Charleston, James E. Taylor, 1866, courtesy of Wikimedia Commons.
A member of the Charleston Police Pipes and Drums plays "Amazing Grace" outside of Emanuel AME Church, photograph by Sarah Goldman, June 19, 2015, Charleston, South Carolina.
A member of the College's men's basketball team, 2015, courtesy of the College of Charleston.
A message left on cloth at the Emanuel AME Church, photograph by Toni Carrier, June 29, 2015, Charleston, South Carolina.
A mural addressing the mass shooting in Charleston painted by artists Ricardo Trejo and Samuel Agoitia, photograph by Armando Minjarez, July 2015, Wichita, Kansas.
A newly freed man's fine converted to labor sentence being sold to the highest bidder, <i>Frank Leslie's Illustrated Newspaper</i>, sketch by James E. Taylor, Florida, 1867, courtesy of the Library of Congress.
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