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Advertisement for Palmetto Beauty Culture School, circa 1950, 155 Coming Street, courtesy of Avery Research Center for African American History and Culture.
[Untitled]
[Untitled]
Henry Palmer, master mason, accepting the Thomas Mayhem Pinckney Craftsmanship Award from Robert Gurley, then Preservation Society Director of Historic Preservation, 2013, courtesy of the Preservation Society of Charleston.
Historical marker commemorating the Charleston Hospital Workers Strike of 1969, one of five historical markers funded by the Preservation Society of Charleston, 2013, courtesy of the Preservation Society of Charleston.
Letter to the Editor about the work of Thomas M. Pinckney after his death (part 2 of 2), written by Susan Pringle Frost, 1952, courtesy of the Preservation Society of Charleston.
Letter to the Editor about the work of Thomas M. Pinckney after his death (part 1 of 2), written by Susan Pringle Frost, 1952, courtesy of the Preservation Society of Charleston.
Group standing with the door of Esau Jenkin’s bus prior to its display at the Smithsonian National Museum of African American History and Culture, pictured (left to right) are Corie Hipp Erdman, Dr. Ade Ofunniyin, Dr. Miliicent E. Brown, Julia-Ellen Craft Davis, Leila Potts-Campbell, Minerva King, Dr. Ramona LaRoche, Paul Saylors, 2014, courtesy of the Preservation Society of Charleston.
Master ironworkers and Thomas Mayhem Pinckney Craftsmanship Award recipients, (left to right), Carlton Simmons, Joseph “Ronnie” Pringle, and Yaw Owusu Shangofemi, 2015, courtesy of the Preservation Society of Charleston.
Henry Palmer, master mason, accepting the Thomas Mayhem Pinckney Craftsmanship Award from Robert Gurley, then Preservation Society Director of Historic Preservation, 2013, courtesy of Preservation Society of Charleston.
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