The Stono Preserve's Changing Landscape exhibition explores the archaeology and history of a single geographic space in the South Carolina Lowcountry—a nearly 1,000-acre plot of land twenty miles west of the Charleston peninsula. The site's archaeology uncovers the region's prehistoric, colonial, antebellum, and twentieth-century histories. To illuminate the experiences of...
The Stono Preserve's Changing Landscape exhibition explores the archaeology and history of a single geographic space in the South Carolina Lowcountry—a nearly 1,000-acre plot of land twenty miles west of the Charleston peninsula. The site's archaeology uncovers the region's prehistoric, colonial, antebellum, and twentieth-century histories. To illuminate the experiences of the people who shaped the landscape, this exhibit traverses the topics of prehistory, religion, slavery, agriculture, and wealth. Placed together, they reflect the defining narratives of South Carolina Lowcountry history.
Revisiting Prop Master recreates and further exploresthe themes in the 2009 physical exhibition, Prop Master, an art installation by Susan Harbage Page and Juan Logan at the Gibbes Museum of Art in Charleston, South Carolina. This digital exhibit serves as a catalog of Prop Master'sexploration of the South Carolina Lowcountry’s history of black/white and gender/sexual interconnectedness. In addition to serving as a catalog,Revisiting Prop Mastershares interviews with the artists and discusses the history that underpins the art withinProp Master. Published on the 10th anniversary ofProp Master, this new exhibition carries on the important conversations that Logan and Page's artwork unveiled.
The slave ships docking in early colonial America carried enslaved people from a variety of religious and cultural backgrounds, including West African Muslims. Though the historical record is scantly populated with their history, it reveals that the West African Muslims brought to America carried their Islamic faith and cultural practices with them. This exhibit examines their background before being forced to the Americas, and it explores the lives of individual Muslims who lived in the American South and the Lowcountry.
Samuel Williams was born into slavery in Charleston, South Carolina in 1852. In his later years, Williams penned his recollections about his life before and after slavery; but he published his memoir under a pseudonym, Sam Aleckson. Williams’s identity as the author was unknown outside of his family. The author's identity is published for the first time here! By weaving together his memoir and archival research, this exhibition traces Samuel Williams’s life from his childhood in Charleston, through Reconstruction and its aftermath, to his migration North in the late-nineteenth century. Published April 2018.
Las Voces del Lowcountry documents the varied experiences of Latinos in the South Carolina Lowcountry. This exhibition spotlights their struggles as well as their growing public presence and multifaceted contributions to the region's cultural and economic life. Through interviews, photographs, and artistic images, Las Voces del Lowcountry captures a critical moment in the historic evolution of the Latino presence in the Charleston area. Published November 2017. Las Voces del Lowcountry documenta la diversidad de experiencias de los latinos del Lowcountry en Carolina del Sur. Esta exhibición presenta narrativas de dolor y lucha como así también otras historias que manifiestan una creciente presencia pública y multifacéticas contribuciones a la vida cultural y económica de la región. A través de entrevistas, fotografías e imágenes artísticas, Las Voces del Lowcountry captura un momento crítico en la evolución histórica de la presencia latina en el área de Charleston. Publicado en noviembre de 2017.
Remembering Individuals, Remembering Communities interprets and maps the life and work of Septima Poinsette Clark (1898-1987), to provide insights into her experiences as an African American civil rights educator, activist, and native of Charleston, South Carolina. Highlighting this history not only reveals the significance of the black freedom struggle in Charleston, it also challenges ongoing race, class, and gender divisions throughout the city’s public history landscape. Published February 2017.