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Attendees of Emanuel AME Church's first Sunday service after the shooting, photograph by Hunter Boone, June 21, 2015, Charleston, South Carolina. This crowd was standing outside because the church was filled to capacity.

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Flowers and signs left by visitors at the Emanuel AME Church, photograph by Toni Carrier, June 23, 2015, Charleston, South Carolina.

"Arrival of a Federal Column at a Planter's House in Dixie," engraving by Thomas Nast, Harper's Weekly, 1863, courtesy of the Princeton University Library, Graphic Arts Collection.

"Charges and net proceed of 118 new Negroe slaves," bookkeeping entry from ledger of the firm of Austin & Laurens, Charleston, South Carolina, c. 1754-1755, courtesy of the Beinecke Rare Book & Manuscript Library, Yale University.

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54th Massachusetts Regiment re-enactment procession, photograph by Jonathan Boncek, Charleston, South Carolina, April 19, 2015.

Emanuel African Methodist Episcopal Church, photograph by Monica Bowman, Charleston, South Carolina, April 2016.

Photograph of Robert Morrison's Esso Station at 179 Coming Street. Charleston, South Carolina, 1938, courtesy of City of Charleston, Planning, Presservation, & Sustainibility.

Ralph Abernathy with strikers, Charleston, South Carolina, 1969, courtesy of Avery Research Center.

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"'Aunt Chloe's Quarters' - Scenes Among the Beaufort Contrabands," from Harper's Weekly Magazine, New York, New York, 1861, courtesy of the Internet Archive.

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"'Marching on!' The Fifty-fifth Massachusetts Colored Regiment singing John Brown's March in the streets of Charleston," wood engraving, Charleston, South Carolina, 1865, Harper’s Weekly, courtesy of Library of Congress Prints and Photographs Division.

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