Finding Judaism in the Holy City

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Through diaries, documents, letters, and photographs, Charleston's Jewish communities documented their experiences in the Holy City. These archival materials help tell the story of their religious, familial, and public life in Charleston, South Carolina.

Synagogues

(Left) Silhouette of Isaac Harby, from The Jews of Charleston: The History of an American Community. (Right) A page from Isaac Harby's prayer book relating an evening prayer and a sketch of the ouroboros symbol, Charleston, circa 1825, courtesy of Special Collections at College of Charleston Libraries.

(Left) Silhouette of Isaac Harby, from The Jews of Charleston: The History of an American Community. (Right) A page from Isaac Harby's prayer book relating an evening prayer and a sketch of the ouroboros symbol, Charleston, circa 1825, courtesy of College of Charleston Special Collections.

Charleston's nineteenth-century Jewish synagogue history is notable for its early reformers, including Isaac Harby (above) and Barnett Abraham Elzas (below). These reforms resulted in changes such as men and women sitting together in synagogue, an organ added to the Kahal Kadosh Beth Elohim (KKBE) synagogue, and women playing a more prominent role in worship. Hebrew Union College, the oldest Jewish seminary in the United States, became an important educational center for American Reform Judaism where some of Charleston's rabbis were educated. More traditional congregations, though, continued to prohibit instrumental music in the Sabbath service and family seating. In the orthodox "Polish" congregation, Brith Sholom, women sat in the balcony and men sat on the main floor.

(Left) Portrait of Aaron Solomon Raisin, photograph by A. Smith, New York, New York, 1902, courtesy of Special Collections at College of Charleston Libraries. (Right) Portrait of Jacob S. Raisin, 1906, photograph by Sol. Young Studios, courtesy of Special Collections at College of Charleston Libraries.

(Left) Portrait of Aaron Solomon Raisin, photograph by A. Smith, New York, New York, 1902, courtesy of Special Collections at College of Charleston Libraries. (Right) Portrait of Jacob S. Raisin, 1906, photograph by Sol. Young Studios, courtesy of College of Charleston Special Collections. 

These father and son portraits reflect some of the cultural changes taking place among Jews who became acculturated in southern cities, with Jacob Raisin's father, Aaron, maintaining tradition with a beard versus his son without one.

Jewish women played an active role in helping establish new reform practices and then participating in them as well. Penina Moïse is an example of a woman involved early on in reform practices. As a poet and hymnist, her work reflects two notable aspects of her identity: she was a devout Jew, and she was a Southerner. Moïse's brother, Abraham, and Issac Harby were among the early KKBE reformers. The men asked Moïse to write hymns for the congregation. In addition to penning nearly 200 hymns for KKBE, Moïse was also a teacher and served as superintendent at the Beth Elohim Sunday School starting in 1845. A prolific poet, Moïse's writing addressed issues of antisemitism, politics, and history, including her support of the Confederacy. Another result of reform practices was that Jewish teenagers participated in confirmations, a practice that developed in Reform congregations in Germany and spread to the United States in the mid-1800s. KKBE's meeting minutes reflect this practice with the Board having "cheerfully granted" consent of "the confirmation of a young lady from Kingstree, S.C."

Laura Wineman's letter to the KKBE Board also highlights the ways in which women contributed to the Reform Movement. In her letter, Wineman discusses the incorporation of instrumental music with the choir's singing. Instrumental music was not traditional in Jewish worship. While Reform congregations like KKBE did eventually incorporate it, traditional congregations in Charleston did not. Wineman understood the use of the organ would upset some congregants' sense of the status quo even in a Reform congregation. She concluded her letter to the KKBE Board by saying, "It can scarcely be expected that the introduction and rendering of sacred music accompanied with the organ should at once give satisfaction to every member of the congregation, some never before having heard an organ, but I feel assured that this beautiful addition to our service will in time produce true harmony..." Wineman was correct as the organ is still used by the KKBE congregation.

Changes such as these, however, did not work for all of Charleston's Jews, including new Eastern European immigrants. Eastern European Jewish women formed Daughters of Israel, seeking to practice Judaism in ways that more closely resembled their own traditional practices. To support their worship and community, they built spaces for religious education and community both physically and theologically separate from other less traditional Jewish congregations and organizations in Charleston, which included the building of the Sabbath School and Meeting Hall at 64 Saint Phillips Street. 

Processional carrying Torahs from Brith Sholom to Beth Israel, Charleston, 1955, courtesy of Special Collections at College of Charleston.

Processional carrying Torahs from Brith Sholom to Beth Israel, Charleston, 1955, courtesy of College of Charleston Special Collections. Many Jews in Charleston remained strictly committed to Jewish traditions. Among them were the congregations of Brith Sholom and Beth Israel; they combined into one orthodox congregation the mid-1950s to worship together in the same synagogue, which continues in this use today.

Homes

A Jewish family during Rosh Hashanah, Isaac and Sarah Rubin, their children, Moe and Rachel, and other family members, Charleston, 1905, courtesy of Special Collections at College of Charleston Libraries. 

A Jewish family during Rosh Hashanah, Isaac and Sarah Rubin, their children, Moe and Rachel, and other family members, Charleston, 1905, courtesy of College of Charleston Special Collections. 

Multi-generational Jewish homes, like the one in the postcard above, help illuminate some of the ways that Jews in Charleston maintained some and adapted other cultural practices. Written in both Hebrew and English, this postcard celebrating Rosh Hashanah, the Jewish New Year, captures three generations of men who reflect generational changes in facial hair and head-covering customs of Jewish men. It is notable that the matriarch is also not wearing a head covering. 

As new Jewish immigrants arrived in Charleston, they brought with them traditional practices such as keeping kosher. Kosher meal preparation and cooking took place in their homes, but they required kosher markets to maintain this practice. Advertisements as old as 1866 reveal that Charleston Jews had access to kosher markets. Alongside the above advertisements, the 1866 article entitled "The Holidays" outlines Christian Easter celebrations as well as Jewish Passover celebrations, an indication that many Charlestonians knew their Jewish neighbors, but likely did not know the details of Jew's religious practices taking place inside their homes.

Taube S. Raisin, mother of Rabbi Jacob S. Raisin, on a Sabbath afternoon, 1916, courtesy of Special Collections at College of Charleston Libraries.

Taube S. Raisin "on Sabbath afternoon," mother of Rabbi Jacob S. Raisin, 1916, courtesy of College of Charleston Special Collections.

In the quiet of their homes, Jewish Charlestonians were able to uphold religious practices, such as observing the Sabbath. While observation of the Sabbath was possible for some, others Jewish families found it difficult to manage. Christian-oriented Sunday closing laws in Charleston required businesses remain closed. However, with Saturday as the Jewish day of rest, observing the Sabbath was sometimes a costly practice that not all Jewish families could afford. Other practices straddled private and public spheres as well, such as mikvahs. Some observant Jewish women used public Mikvahs, but in the book, The Secret of the Jew, Rabbi David Miller outlines how Jewish families could create mikvahs in their homes.

Public Square

Opening day of Read & Dumas, a Jewish-owned business, Charleston, circa 1912, courtesy of Rosemary Read Cohen.

Opening day of Read & Dumas, a Jewish-owned business, Charleston, circa 1912, courtesy of Rosemary Read Cohen.

A view of King Street with a sign of a Jewish storefront, the Marks H. Lazarus Co. Hardware store, circa 1910, courtesy of Library of Congress. (Left) Portrait of Phoebe Yates Levy Pember, circa 1855, courtesy of University of North Carolina Libraries. (Right) Portraits of Marks Hubert Lazarus and Mordenai Charlotte Blair Levy Lazarus, courtesy of Special Collections at College of Charleston Libraries.

The King Street storefront, M. H. Lazarus Co. Hardware, was owned by Jewish businesswoman Phobe Yates Levy Pember until 1909. Pember sold it to Marks Hubert Lazarus who opened a hardware store. Shops like Lazarus Co. Hardware and Read & Dumas are evidence of Jewish families' presence in Charleston’s economic landscape. They also reveal the connections among the Jewish communities in Charleston. Marks Lazarus and his wife, Mordenai Charlotte Blair Levy Lazarus, were the parents of Jane Lazarus, and their family had a long history in South Carolina. Jane went on to marry Rabbi Jacob Raisin, an recent Eastern European immigrant who became the rabbi at KKBE. Jane founded the first Charleston chapter of Hadassah Women's Zionist Organization of America, a Jewish charitable organization.

Old Jewish Orphanage and flower vendors, Historic American Buildings Survey, Charleston, circa 1933, courtesy of Library of Congress.

Old Jewish Orphanage and flower vendors, Historic American Buildings Survey, Charleston, circa 1933, courtesy of Library of Congress.

Charleston's Hebrew Orphan Society, founded in 1801, occupied the above building starting in the early 1830s. The society formed "for the purpose of relieving widows, educating, clothing and maintaining orphans and children of indigent parents." The building was used as a community gathering place, serving for a time as the KKBE congregational meeting place when their synagogue was burned in the Charleston fire of 1838. It also served as a Hebrew school briefly. Like Kosher groceries and other Jewish-owned businesses, the Hebrew Orphan Society building stood as a symbol of Jews' presence in the city—in this case, of their charitable contributions in Charleston. In the process of raising funds for local and international Jewish causes, charitable and social societies also provided a distinctively Jewish social spaces for Jews of all stripes.

13th annual grand Purim ball invitation hosted by the Hebrew Benevolent Society of Orangeburg, South Carolina, 1902, courtesy of Special Collections at College of Charleston Libraries.

13th annual grand Purim ball invitation hosted by the Hebrew Benevolent Society of Orangeburg, South Carolina, 1902, courtesy of College of Charleston Special Collections.

Program of the Kalushiner Society of Charleston, South Carolina Sixth Annual Banquet, 1928, courtesy of Special Collections at the College of Charleston.

Program of the Kalushiner Society of Charleston, South Carolina Sixth Annual Banquet, 1928, courtesy of College of Charleston Special Collections..

Race and Slavery
(Left Image) Portrait of Jacob S Raisin, courtesy of Special Collections at College of Charleston Libraries. (Right Image) Excerpt from Rabbi Raisin’s diary regarding his views of African Americans, 1903, courtesy of Special Collections at College of Charleston Libraries

(Left) Portrait of Jacob S Raisin, courtesy of Special Collections at College of Charleston Libraries. (Right) Excerpt from Rabbi Raisin’s diary regarding his views of African Americans, 1903, courtesy of College of Charleston Special Collections.

Transcription: “They think me stubborn because I still decry the negroes’ oppression. But what unprejudiced man could think otherwise? When they work they are hardly paid, they are even denied the name of man, to say one has negro blood in one’s veins is enough to ruin him for all eternity, there is not a day but some one of them is killed, they are deprived the ballot, their substance is muleted out of them and yet while some one goes around and lecture on justice to the Jew non has yet claimed justice to the negro!”  

Portrait of Eleanor H. Cohen Seixas, sketch by her brother, Lawrence Cohen, alongside an excerpt from her diary expressing her "regret" of the abolishment of slavery, courtesy of Special Collection at the College of Charleston.

Portrait of Eleanor H. Cohen Seixas, sketch by her brother, Lawrence Cohen, alongside an excerpt from her diary expressing her "regret" of the abolishment of slavery, courtesy of College of Charleston Special Collections.
Transcription: Our servants born and reared in our hands, hitherto devoted to us, freed by Lincoln! left us today, it is a severe trial to Mother, and quite a loss to me, among them went Lavinia a girl given to me by my grandmother and who had promised always to stay... but she went... she gave me notice and showed regret at parting. This is one of the fruits of war! I who believe in the institution of slavery, regret deeply it being abolished."  

Plaque outside of the KKBE synagogue, acknowledging the work of enslaved African Americans, 2022, photographed by Brenna Reilley.

Plaque outside of the KKBE synagogue, 2022, photographed by Brenna Reilley. The plaque acknowledges the work of enslaved African Americans who built the original synagogue and concludes, "Upon the renovation and rededication of the building in 2020, Kahal Kadosh Beth Elohim rededicates itself to recognizing the errors of the past and reconciling the beliefs of our faith with our actions as we commit to spiritual growth and social justice for all."

Military Service
Examples of gravestones commemorating military service of Jewish soldiers, in the KKBE Coming Street Cemetery, Charleston, 2022, photographed by LCDL staff.

Examples of gravestones commemorating military service of Jewish soldiers, in the KKBE Coming Street Cemetery, Charleston, 2022, photographed by LCDL staff.