Remembering Individuals, Remembering Communities: Septima P. Clark and Public History in Charleston

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The Radicalism of Septima P. Clark

Image of Septima Clark on the cover of the Highlander Report, 1957, Septima P. Clark Papers, courtesy of the Avery Research Center.

Septima Clark on the cover of the Highlander Report, 1957, Septima P. Clark Papers, courtesy of the Avery Research Center for African American History and Culture.

Though Septima Clark is included in Charleston's public history landscape, current memorials often depict her as an elderly woman who rendered great service to a more distant civil rights movement, as well as to the city. Thus sanctified, she is harmless.

We need a much fuller portrait of Clark’s radicalism throughout her life to appreciate her contributions to the black freedom struggle. In this context, “radicalism” must be understood within the framework of the African American experience in the Jim Crow South, as black southerners attempted to identify and solve the constant racial injustice they confronted. For Clark, expressing radicalism meant confronting the white supremacist power structures of segregation that devalued African American life and severely curtailed political, economic, and educational opportunities for black people. Shying away from portraying Clark as a radical in an interpretive context misses the opportunity to reaffirm one of the most democratic of all American traditions: the right to dissent.

"The Colonial War at Home," handwritten essay by Septima P. Clark, n.d., Septima P. Clark Papers, courtesy of the Avery Research Center.

"The Colonial War at Home," handwritten essay by Septima P. Clark, n.d., Septima P. Clark Papers, courtesy of the Avery Research Center for African American History and CultureCLICK HERE to view larger image and full essay.

Yet we also need to remember Septima Clark expressed much of her radicalism within a Cold War context. Acknowledging this not only provides a more complex understanding of her, it offers insights into the ways that fears of encroaching Communism effected the civil rights movement. Cold War patriotism and rhetoric cut two ways. On one hand, it gave black activists leverage to embarrass the nation in the international media by challenging attempts by white American leaders to position the United States as the world leader of freedom and democracy, while simultaneously maintaining segregation laws and customs at home. On the other hand, the Cold War legitimated attacks on the civil rights movement by powerful segregationists who claimed that any attempt to destroy Jim Crow was “Communist-inspired.”

Clark paid a high price for her activism during the Cold War. Many people suspected she was a Communist due to her uncompromising stance for integration and her affiliation with the Highlander Folk School in Monteagle, Tennessee, which segregationists labeled a “Communist training school.” In the early 1950s, most black Charlestonians—even her sorority sisters in the local Alpha Kappa Alpha chapter—feared associating publicly with Clark. Moreover, when the Charleston School Board fired her in 1956 due to her open membership in the NAACP, she lost her retirement benefits after forty years of teaching. Though Charleston currently features various markers to Clark’s life, most visitors to the city would be hard-pressed to find any depiction of this radical woman.

Directing at Highlander Folk School, Monteagle, Tennessee, 1959, Septima P. Clark Papers, courtesy of the Avery Research Center.

Program at Highlander Folk School, Monteagle, Tennessee, 1959, Septima P. Clark Papers, courtesy of the Avery Research Center for African American Histroy and CultureMany people suspected Septima Clark was a Communist due to her uncompromising stance for integration and her affiliation with the Highlander Folk School, a social justice leadership training school.